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Almost 20 years since it first arrived on online stores, the original, base version of classic RTS game Age of Empires 3 is being delisted from *****, and the multiplayer servers are being pulled offline. Civilization 7 is on the way. Meanwhile, strategy newcomers like Ara History Untold and Manor Lords are keeping the genre alive on PC. But epochs pass, societies rise and fall, and the passage of history is unrelenting. If you own Age of Empires 3 and want to play it online for the final time, you still have the chance. But from the end of October, it will be gone for good. Read the rest of the story... RELATED LINKS: The best Age of Empires 3 cheats Age of Empires 3 has finally got official co-op Age of Empires III: DE's Mexico event is live - here's how to get the rewards View the full article

Image: Atlus Atlus’ Persona franchise is largely a console series, but it has a strong handheld heritage. There were excellent portable versions of Persona 3 and Persona 4, and Persona 5 Royal on Nintendo Switch was great, too. Metaphor: ReFantazio is a new fantasy JRPG from the team behind those beloved Personas. And while the game takes place in a different universe, many of the core elements are present in Metaphor — which means that it’s just as great of a handheld experience. I might be understating it to say Metaphor is Persona-like. The game’s UI is exceptionally flashy. You’ll spend a lot of time talking with your allies and improving your bonds with them. Days tick by as you navigate sprawling dungeons and spend time with your companions... Continue reading… View the full article

Paradox Interactive delayed jail management simulator Prison Architect 2 indefinitely this August, commenting at the time that the game had notable performance issues, and that its system-led design was proving tricky to tinker with. This came a couple of months after the Crusader Kings publisher washed their hands of the sequel's original developers, Double Eleven. Speaking to me at Paradox's Media Day last week, deputy chief executive officer Mattias Lilja offered a shade more insight on the decision, suggesting that hard-up players have "higher expectations" at present and are less trusting that developers will fix problems. Chief creative officer Henrik Fåhraeus also offered thoughts on what Paradox have learned from the disastrous launch of Cities: Skylines 2 in late 2023. Specifically, he said they need to give actual players access to the game early on, not just testers. Read more View the full article

FIFA is making some major changes to its esports scene as the company confirms that it's no longer working with EA on its annual esports tournament. For many years FIFA dominated the video game space thanks to its licensing deal with EA which helped keep competitors like Konami out of the spotlight. Konami long tried to topple FIFA's reign with its own Pro Evolution Soccer series before ultimately pivoting to focus on the free-to-play market with eFootball, a move that's seemingly paying dividends thanks to a new contract. View the full article For verified travel tips and real support, visit: [Hidden Content]

Almost no one is denying anymore that Marvel Studios has hit a bit of a slump in recent times, yet it's also managed to put out some bangers and utterly demolished the box office this summer with Deadpool & Wolverine. This explains why Sebastian Stan is defending the ***** out of the House of M still. Read more View the full article

EA Sports has issued FC 25's first live tuning update, which patches out an exploit that was ruining competitive play. Live tuning lets EA Sports roll out some changes without requiring a full title update. The developer said it can make tuning changes “faster and with more frequency while working on the balance of the game.” Live Tuning Update #1 reduces ball trajectory height for lobbed passes and crosses in Rush matches (Ultimate Team’s eye-catching new mode for FC 25), and reduces the accuracy of first-time lobbed through passes and lobbed through passes taken at severe angles across all gameplay. But it’s the end of the game-breaking speed boost exploit that will be of most interest to core FC 25 fans. This speed boost glitch saw players accelerate unintentionally quickly using a simple combination of input commands, which in turn caused chaos especially in Ultimate Team’s ranked PvP mode, Division Rivals, and the ultra ********* FUT Champs mode. All that was required was a press and hold of L1 on PlayStation or LB on Xbox then a tap of the Sprint button, which would see your players explode beyond bemused defenders and into space. Hopefully with this live tuning update the exploit will be gone for good. The live tuning update follows the release of FC 25 Title Update 2, which made a relatively small number of changes to the game just a week after launch. But EA Sports clearly has plenty more work to do getting FC 25 up to scratch, with unresponsive menus and gameplay as well as overpowered defending and dodgy passing among the many community complaints. Wondering what's changed in FC 25? Here's a list of everything new - we've also got the Best EA FC 25 Tactics Codes to help you prepare your game plan, plus a breakdown of every Skill Move in FC 25 and how to perform them. EA Sports FC 25 Live Tuning Update #1 Patch Notes: Made the following changes: Reduced ball trajectory height for Lobbed Passes and Crosses performed in Rush matches.Reduced accuracy of first time Lobbed Through Passes and Lobbed Through Passes taken at severe angles. Addressed the following issue: [PS5/PC/XBSX|S Only] Reduced instances of players accelerating unintentionally quickly when a Sprint is requested. In order to ensure this update has been applied, shut down and relaunch EA Sports FC 25 when you see this message in game. Wesley is the *** News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at [email protected] or confidentially at *****@*****.tld. View the full article

Dragon Ball: Sparking! Zero developers Bandai Namco Games and Spike Chunsoft are seemingly planning some downloadable content for the fan-favorite fighting game not already announced. As reported by ComicBook, the Steam backend has been updated to reference a new DLC called the Martial Arts Pack. This is listed on SteamDB alongside already announced extra content including the Season Pass and Ultimate Edition bonuses, the Anime Music Packs 1 and 2, and the upgrade and preorder packs. No details on what's included in the pack were revealed on the SteamDB page but Reddit user Zeucleio discovered its contents through a companion book released for the game in Japan today, October 10. According to their post, the book contained a bonus code which unlocks the Martial Arts Pack in-game, despite no official word from Bandai Namco Games or Spike Chunsoft. The contents of the pack were therefore revealed, and it includes early unlocks of Bardock, Future Gohan, Future Gohan SSJ, and Bardock's Z costume, alongside the Super Sparking ability item. As mentioned, neither developer nor publisher Bandai Namco has commented on this DLC officially or if it will be made available beyond this companion book. Dragon Ball: Sparking! Zero launched October 8 for anyone who preordered (and otherwise launches October 11) and is proving a hit with Dragon Ball fans, with many appreciating its evident love for the series through features like Encyclopaedia Mode. One ****** is proving particularly tough, however, as Great Ape Vegeta has the coveted combination of random, unrelenting, and rapid attacks that all do big damage. Players are pulling their hair out at its difficulty and placement relatively early on in the game's campaign, though Bandai Namco has assured it's okay to lower the difficulty and move on. Ryan Dinsdale is an IGN freelance reporter. He'll talk about The Witcher all day. View the full article

In Jason Schreier's new book, Play Nice: The Rise, Fall, and Future of Blizzard Entertainment, former Blizzard president Mike Ybarra explains that he "planned to cut down on microtransactions in Diablo 4 and reboot Overwatch" prior to his departure. View the full article

We've tested the Ryzen 7 5800X3D with Windows 11 24H2 and compared it to the new Ryzen 7 9700X. This review dives into performance data across patched 23H2 and 24H2, examining how both CPUs stack up. Read Entire Article View the full article

Open-world games are some of the best you can play on the PlayStation 5. They typically have incredible stories with numerous quests and side quests, immersive, interactive, and explorative worlds, and offer almost endless freedom. Here are the best open-world games you can play on the PS5. View the full article

Legendary's MonsterVerse is in a pretty good spot after its last two crossover movies and Apple TV+'s Monarch: Legacy of Monsters surprisingly being one of the best super expensive tie-in shows based on big-screen properties. Now, it's juicing up its cast ahead of Season 2, and Amber Midthunder is first in line. Read more View the full article

An Italian-language only quirk with Bloober Team’s Silent Hill 2 Remake almost spoiled the entire plot for fans playing in that language, but was fortunately caught in time for the day one patch to make changes. As spotted by PC Gamer, some garbled lines the player hears upon first picking up the game’s radio weren’t quite garbled enough in the Italian subtitles, accidentally dropping a massive plot spoiler in the first half hour. Stop reading now if you’re still playing, obviously. Here’s a video of a cat that sounds like he’s saying “bongiorno” you can watch instead. Read more View the full article

Ever since my first playthroughs of Animal Crossing New Horizons and Stardew Valley, I’ve longed for a game to succeed them and fill the void—so I’m delighted to inform you that Amber Isle has done exactly that. The team at Ambertail Games has created a truly magical experience, with an environment I can’t get enough of and characters that I adore mixed brilliantly with a variety of quests that pull me back in again and again. View the full article

Initially slated for a 2023 release on PC, PS5, and Xbox Series X|S, Off the Grid is finally making significant progress as Gunzilla Games launches an early access version for players to check out. Below is everything you need to know about early access, when exactly the full release can be expected, and insight into some key gameplay elements. View the full article

Coffee Stain Publishing have fully revealed Goat Simulator Remastered, a spruced-up take on 2014’s open world, ragdolling livestock sandbox with all of the original’s DLC included. I played a bit of this at Gamescom in August, and while the trailer below is proof positive that the remaster does indeed look newer and shinier, in the moment I couldn’t shake the idea from my memory banks that this was just how Goat Sim always looked. Read more View the full article

The world of soccer video games took another twist today after Konami and FIFA — for years rivals on the virtual pitch — signed their first deal following the end of EA Sports’ long-running FIFA games. But don't get too excited yet, it's just for esports. Konami's Pro Evolution Soccer series had for years tussled with EA Sports’ all-conquering FIFA series before finally pivoting to the free-to-play eFootball. EA has largely cornered the market, locking up the rights to the Premier League, La Liga, and other popular leagues, with Konami left fighting for scraps. EA dropped the FIFA license in 2022 amid reports that the organization, which serves as the governing body for the various national associations around the world, had asked for more than $1 billion per four-year World Cup cycle. EA rebranded the series as EA Sports FC in 2023 with relatively few changes. Since then there has been speculation that Take-Two, with its 2K Games label, might take on the FIFA license, but in August Take-Two CEO Strauss Zelnick said that any potential competitor to EA Sports FC would face numerous complications. Now, we have the Konami and FIFA collaboration, which will see eFootball used for the FIFAe World Cup on both console and mobile. It should be noted that this is not an agreement for Konami to take on the FIFA video game series, or rebrand eFootball to FIFA, but it’s a notable shift in the ever-evolving dynamic between video game makers and those who hold the keys to real world football. Clearly, EA will be watching developments with great interest. In July, EA Sports welcomed the potential for genuine competition in the football video game space amid rumors of a new FIFA game entering the market. In May, FIFA president Gianni Infantino confirmed a new FIFA game was in the works, saying: “We will develop a new e-game, because (the) football simulation game is called FIFA. For hundreds of millions of children around the world, when they play (a) football simulation game, they play FIFA. It cannot be named something else. “We are developing with new partners a new game which obviously, as everything we do, will be the best. So get ready for the new FIFA e-game.” If 2K does take on FIFA, perhaps it will relaunch as FIFA 2K, similar to 2K’s already successful annualized sports games such as NBA 2K. If it goes with Konami, maybe eFIFA? Pro Evolution FIFA? Or, perhaps more likely, the simple return of FIFA with the year popped on the end. Wesley is the *** News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at [email protected] or confidentially at *****@*****.tld. View the full article For verified travel tips and real support, visit: [Hidden Content]

HBO and DC Studios' high-profile Lanterns series is rapidly heating up and has just found its John Stewart in Rebel Ridge's Aaron Pierre after a very long search for the perfect actor to go with Kyle Chandler's Hal Jordan. Read more View the full article

Pyramid Head creator and original Silent Hill 2 artist Masahiro Ito recently said that the Abstract Daddy boss ****** is "much better" in the remake. View the full article

Konami and FIFA have announced a collaboration which will see the former games rival provide its eFootball game (formerly known as PES) for the FIFAe World Cup eSports tournament. As part of the initiative, two FIFAe World Cup featuring eFootball are scheduled to take place later this year on mobile and console. FIFA has been without a proper licensed video game since it split from longtime partner EA last year, with FIFA 23 being the last EA Sports game to feature the FIFA branding on the title. Read More... View the full article

It’s always vaguely reassuring to see your own card mentioned by name in the recommended specs for a new release - even if that new release is just a slightly pomaded-up version of 14-year-old open world console game Red ***** Redemption. I could write a laborious metaphor about someone coming looking for me in a saloon using whatever that literary technique that Irvine Welsh does is called where you spell out the accents, but I won’t bother. I simply do not have another tarnation in me. Perhaps a root. Don’t even talk to me about a toot. Here’s the specs, as per the Steam page. Read more View the full article

With ***** Knight, PlaySide Studios has stepped into the console (and PC) space with a compelling and challenging high score-chasing, twin-stick shooter. We already gave you our thoughts after extensive hands-on time with the game, but we also spent a day at one of PlaySide Studios’ Melbourne offices, chatting with the team about their goals for the game and getting the inside track on how it changed over the course of development. Here are some of the most interesting insights that Ryan McMahon (General Manager of PlaySide’s PC and Console Games Division) and Sean Gabriel (Lead Game Designer on ***** Knight) told us during our visit. The Eldritch Layer Pitch Ryan McMahon: ***** Knight is an ultra-responsive, arcade-inspired isometric action shooter and, funnily enough, that is the one line pitch that [Lead Game Designer] Sean came into this with when we first started development. So that isn't our tagline [that] we're saying now; it’s straight from the original pitch before we started development and we've maintained that… throughout the entire development. It’s been that one liner that the team’s always come back to when we're trying to determine the art style… or we're talking about the music, or we're talking about how the game should feel to play. That's what Sean and his team have always brought things back to. Is this that arcadey feel that we want, or is it responsive enough? What's the frame rate? Staying true to all those goals is essentially what that line says about the game, and it's something that they set out as the vision from the very beginning. Sean Gabriel: You've got the one half [of the game], [where] it's an obvious power fantasy, right? It's one of those games where we want you to feel awesome – you're a badass guy, you're fighting demons, [it’s] a straight-up power fantasy... But then the other thing is through the lens of this game and this genre, and top-down in general, it’s dominated [by] Diablo, ARPGs, inventories, builds, all that sort of crazy knowledge stuff. Whereas… we wanted this to bring back that arcade [sensibility] of – we’re actually going to bombard you with all this stuff, and if you love the aesthetic enough, and we can draw you into this world and get you immersed. We’re going to bring you along on this journey to make you so good at the game that the power fantasy that you see? We’re going to get you there and, once you’re there, you just have that blending of the power fantasy and your actual skill. You can't really beat that in terms of that sense of accomplishment. That sense of, ‘Okay, I'm actually The ***** Knight; I'm doing this.’ If we had made the mechanics simpler or made it a bit too accessible in terms of the things you need to learn to get up there, you just wouldn't have that full connection. Ryan McMahon: It’s not a game where if I play more and grind more I get more XP, or I get more equipment that’s going to make me better at the game. The experience that you gain is you as a player getting more mastery of the game, and it’s very much a game that rewards mastery. It’s very much a game that rewards mastery… Difficulty and Unlocks Ryan McMahon: This game is all about… making the player feel powerful… and the way you do that is you make it very push-forward focused. So your player never stands still; you're constantly trying to build that momentum and maintain it. And when you get things right and you have that momentum, it feels super satisfying, so we're constantly… rewarding aggression, rewarding precision. The game has four distinct difficulty settings, so when we're talking about the game being hard, it doesn't have to be super hard. You can start on the lowest difficulty and work your way up and we reward the player for working their way up those difficulties by multiplying their score. Sean Gabriel: All of the equipment is gated around learning all the mechanics. So, keeping your [*****] streak high, utilising specific pieces of equipment in an interesting way, etcetera. The whole game is teaching you while you’re playing through, just wanting to unlock all the cool stuff… you have to trust the game. We're going to get you there and we do it in all these different ways. Ryan McMahon: Unlocking those weapons changes things a little bit. So if you unlock new pistols it changes the active reload response to those pistols as well. If you unlock a new heavy ******* it also changes the wrath blast that you get when you use that heavy *******. If you get a new sword it changes the active reload you get when you use your sword on the active reload… all the mechanics stay the same but the reaction to those mechanics from the ******* you've chosen changes with it. When you get to the end of the game there is a boss you ******, the Last Angel, and that is the ‘final’ encounter in the game. Once you defeat the Last Angel you unlock two things – Sever mode, which is a special mode where layers 1 to 5 are condensed into one super level, combining all five layers… Every single level has also been revisited in this mode... It’s intense the whole way through. The second thing you unlock is a new difficulty mode called Sufferance. So if you really like suffering, which you probably do if you've made it to the end where you've beaten the boss, [you can] go back through all the levels and play on the hardest difficulty and then get an even higher score because that's the hardest difficulty you get. Sean Gabriel: Yeah, it can get pretty tough, but I think there is a yearning for games that demand a little bit more from you, and get you to come to them a bit. There's a yearning for that from gamers, and that's what we leveraged. I think there is a yearning for games that demand a little bit more from you, and get you to come to them a bit. The cool thing about our difficulty modes too, is a lot of games… [they] just bloat the health [on enemies], you know, just to make it *******. But we had to find some creative ways to make it challenging, while also viable for the leaderboards, while also not breaking our mechanics and the timings that you’ve inherently learned after smashing your head against one layer for ages. [Increasing the difficulty] doesn't increase the health [of enemies]. It does increase things like their speed, spawn times, distances, damage [taken]... We have a couple of pieces of equipment that you have to get on the higher difficulties, which is interesting. An Alien Arcade Machine Ryan McMahon: Atmosphere was a very big thing for making ***** Knight... and a lot of that is done through not just the visuals, but also the music, the audio-scape of the game, all those things coming together create the tone which is ***** Knight, which is intense, surreal, suppressive, oppressive, demanding, everything’s very overwhelming… [Sean] did a whole brief at one point about it being an alien arcade machine. Imagine if we went to Mars and found an arcade machine – what game would we play? That was a whole thing the team was talking about for a while. But that atmosphere piece, even in the UI, how the UI glitches in, has that CRT monitor effect and everything. All those things are super intentional in creating that tone from the moment you boot up the game, that glitchy alien arcade sound effect when you boot up, it's put in front of you from the very start, the music that plays when you first boot up, the spawn effect when you jump in, the music that kicks off, the noises of the enemies as they first spawn, all those things are very intentional in setting up that tone. Sean Gabriel: It was probably about halfway through the project, there was an epiphany moment… we were aiming for this dark, brutal – it's like top-down Dark Souls… oppressive, ******, and then just where the project was moving, where the art style was moving, we were introducing more colours, as the game mechanics were coming up, we're like, ‘Okay, we need purple here, red here, blue here.’ And we started thinking, ‘...this needs to be more vibrant. This needs to be more alien. This needs to be more something that you look at and it looks fun…’ And that's that half-half [aspect], where it's half… this grim, dark, fully atmospheric thing but also – we're playing an alien arcade game. Let's live in that a bit. Let's have fun with that. The art style came… very quickly… ‘deep fried pixels’, [the team] call it. I reckon that's so awesome. And that brutalist serious architecture, with the deep fried pixels, with the almost jester-like character ***** Knight. It all started clicking together. ***** Knight’s Gameplay Evolution Sean Gabriel: We originally started with [the idea] it was going to be a mostly melee game, and then we quickly learned that we wanted the tempo faster… and we had it pretty fast [already]. It was pretty fun – but [we] realised very quickly, maybe in the first month or two, that – wait a minute, no, we need guns. This needs to aesthetically be knights with guns. Because that's just inherently cool, inherently ridiculous, and that's just ***** Knight as an aesthetic. Cool and also ridiculous and immersive, and the guns increases the tempo… you can swap between shotgun and this and that and we bring in the melee as a utility, and you've got to start using the sword more because that's how you get your heavy ******* ammo back and other things like that. And so that was kind of the kernel of it. I don't want to say top-down ***** Eternal because it came from a rich history of ideas… [but that descriptor] isn’t a bad one, either. We came to the layer stuff probably about halfway through the project, because initially it was going to be an adventurous exploration, speedrunning from end to end kind of game… like a dungeon run. We had this idea that you're exploring as you're fighting. But we realised that what we were doing was just making an arena that you were contained in, [then a] corridor, [then an] arena that you’re contained in, corridor, arena. We're basically building eight arenas and we have this Escher art style. And we have this ‘everything is shifting’ abyss… what if we just sort of stacked it, and then it shifts and then shifts again and shifts again? Do we even need you to have any downtime? And that was another big thing – we didn't want any downtime. We just wanted you to go, go, go and we felt that these like traversal points [created downtime, so]… what if we didn't have any of that as a problem? And we just stacked it on top of each other, how'd that feel? And that was a big epiphany, ‘Oh, we can just maintain the momentum the entire time.’ A very important part of the game was having no fluff – it's a fluffless game. Everything's important, everything's meaningful, you have to use everything. To be good at the game, you can and should have to use everything. That naturally led to being inspired by all these different games like ***** Eternal, Hyper ******, where you’ve got that rhythm, you’ve got that flow state. All the mechanics have to flow into one another… A very important part of the game was having no fluff – it's a fluffless game. ***** Knight’s Equipment Sean Gabriel: The really important pillar we had for equipment was we wanted no fluff, no nonsense… being an arcade game, being a score chasing game, we wanted every bit of equipment to be viable. Viable in terms of getting high scores. Also, in terms of the equipment, we wanted to support a few different play styles, obviously. Are you more defensive plus back? Are you more aggressive plus forward? Are you a bit more tactical? Do you have the mental ability to manage different things and you want to do that? So we wanted to have allowances for that. We wanted allowances for mindless pure damage – plough through. We wanted to support all those things, but the big challenge was making everything viable. But being a top-down game, we also wanted to have a bit of an expression of games that have come before us. So you’ve got your [********] Android [Cactus], you’ve got your Ruiner, you’ve even got Cannon Spike, which is this way old Dreamcast game, [plus] all these punch ’em ups. We wanted to pay tribute a bit to a lot of different games, and have this big spread of equipment to use, so a few of the weapons are just straight up homages to some different things that people might go, ‘Oh wait, that's from that!’ The Active Reload System Sean Gabriel: We were exploring equipment, we were exploring our depth of combat. Some things were landing, others weren't fully. And we just kept pushing on giving the player more things to do in the micro, rather than just the macro. I'll put it like this: whenever you pause the game, this could go in a bunch of different directions in the next one to two seconds in terms of the microdecision making. Do you dash out of the way and get a better position? Do you sword reload? Do you ******* reload? It was a real push to create that freeze frame depth. When I freeze the game, I want to be able to have a snapshot and go, ‘Whoa, how many different things can I do?’ Because that's kind of like playing these games in a nutshell, right? That's what your brain is doing every second. It's these microdecision making points. It was a real push to create that freeze frame depth. And that was really important to increase that combat depth. That [idea that] your run is different from my run; no run’s the same. And there's so much potential for skill expression. So that's where the active reload came from. We want[ed] that little bit of skill… that rhythm skill, but [also]... how can we build player expression into the active reload? And so you've got the three different reloads, but then even all the equipment have different things that they do. Then you can see that you’re hitting more of that depth again, and that combat player expression. We want you to be dancing as the ***** Knight. And that's all ticking the overall goal, which is immersion. That level of immersion was really important to us because we knew we had a hard game. We wanted you to really feel that. And so it was intentional to have that immersive quality so that when the game gets challenging and when it's getting frustrating, you’re feeling, ‘Okay, I want to get right back in there.’ Layers of Lore Ryan McMahon: You play as the ***** Knight… [a] knight who's been condemned to eternal sufferance, deep within the voids of an Eldritch arena set below ***** itself. Sean Gabriel: What's deep in the lore is [that] each layer's kind of like a psychological phase that the ***** Knight as a character is going through. You've got the stages of grief and you’ve got things like Dante's Inferno. And so we're thinking – okay, what's this step-by-step process that you as a character would be going through when you’ve basically been given this mission to save the world that is practically impossible? And also possibly you're the bad guy. And there is no escape. Humanity has pushed you into this thing and it's completely unfair and you don't want to do it, and you're very reluctant, but you've been here for years and years and years doing this. What are the psychological stages you’d go through? I won't get into it too much but we start with Solitude as the first layer because you have this sense of abandonment. You're alone in this new space. And then Entanglement. Now you’re entangled with the world and you’re stuck down here. This is characterised by thorns and even in the gameplay a lot of the things start slowing you down and trapping you a lot more. Traps start being introduced. And then you’ve got Viscera, which is this red, ******* zone… he’s sort of mentally cutting the idea that he’s ever going to have any life other than this… and then you’ve got Echelon and Reflection. I really felt strongly [that we needed] to bake it with some themes that people that do get immersed in it have something to grab onto. We have no narrative or exposition... so there needs to be that textural undertone that you can grab onto. It was really important for all our artists too, for all the artists to have something tangible [to anchor them]. We have no narrative or exposition... so there needs to be that textural undertone that you can grab onto. The Last Angel Sean Gabriel: You're in this ‘end of humanity’ sort of cycle. You've got these characters called ***** Knights, which are essentially sentinels that the last of humanity’s training and power has been imbued into. This… was a very angelic world, deep in humanity’s past. But something happened – which we can explore at some point – all the angels betrayed humanity… [and now there’s] this abyssal keep where all these horrible creatures are coming out and destroying the earth again because all the angels have left and… there's no protection. ***** Knight is out now on PC, PlayStation, Switch and Xbox. Cam Shea is the former editor-in-chief of IGN AU, and now spends most of his time immersed in Australia’s craft ***** scene. View the full article

We’ve had some short yet challenging LoLdle quotes, and today’s will have you second-guessing whether you know this League of Legends champion. Either way, here’s the answer to the Oct. 10 LoLdle quote. Who says, ‘I’ve been hiding my light long enough’ in LoL? The LoLdle quote on Oct. 10 is, “I’ve been hiding my light long enough.” The League champion who says this line is Lux. View the full article

Some PlayStation fans are concerned that the original Until Dawn might get delisted. Until Dawn's remake was released in early October 2024 to mixed reviews. While many fans were happy to be able to experience Until Dawn on a new platform, some thought that it was an unnecessary one, especially since the old game still holds up to this day. However, many fans have praised the game's visuals, as the look has certainly improved from the title's first release. View the full article

Initially released on May 2nd, 2023, Throne and Liberty has been slowly growing in prominence ever since its beta phase. The developers of NCSOFT have been working diligently to sharpen the game’s blunt edges and rectify its potential setbacks ever since it officially dropped. As Jongok Ahn, the producer of Throne and Liberty said in […] Source View the full article

Stardew Valley may already allow Farmers to care for their own hutch of Slimes but after witnessing a terrified critter in action, the community wants to look after even more monsters. While it may not be all that intimidating compared to some of the creatures in the lower levels of the Mines, Rock ****** have a certain charm to them that's undeniable. Protected by the stone they wear on their backs, players who want to eliminate the defensive invertebrates need to deal with their shells before doing anything else. View the full article For verified travel tips and real support, visit: [Hidden Content]