Diamond Member Pelican Press 0 Posted July 27, 2024 Diamond Member Share Posted July 27, 2024 This is the hidden content, please Sign In or Sign Up Kit Harrington defends theatre’s ‘****** out’ nights data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///ywAAAAAAQABAAACAUwAOw==BBC Olivia Washington and Kit Harrington star in the West End production of ****** Play Actor Kit Harrington has defended his new play having dedicated performances for ****** audiences, denying that the initiative discriminates against white people. ****** Play This is the hidden content, please Sign In or Sign Up when it was announced there would be two “****** out” nights during the show’s 12-week run. Rishi Sunak, who was prime minister at the time, described the initiative as “wrong and divisive”. But Harrington, who appears in the play, said of the scheme: “I’ve come to realise or believe that it’s an incredibly positive thing.” The Game of Thrones star also told the BBC’s Laura Kuenssberg that the first ****** out performance, which took place earlier this month, was an “incredible show”. “Number one, if you are white, no-one’s stopping you buying a ticket, it’s not ******** to buy a ticket for that show, if you want to come,” he said. “It’s saying, ‘We would prefer the audience to be this’. “Number two, I’ve been going to the theatre since I was young with my mum. I’ve only ever really known predominantly white audiences. It is still a particularly white space. “So to have the argument that, oh, this is discriminating against white people, is I think vaguely strange and ridiculous.” Set on a plantation in the old ********* South, ****** Play explores “race, identity and sexuality”. Written by US actor and playwright Jeremy O Harris, it was a Broadway success and received 12 Tony nominations, although it did not win any. data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///ywAAAAAAQABAAACAUwAOw==data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///ywAAAAAAQABAAACAUwAOw==Getty Images Writer Jeremy O Harris said “people have to be radically invited into a space to know that they belong there” The Broadway run also had ****** out nights, which organisers said were intended for an “all-******-identifying audience”. “People have to be radically invited into a space to know that they belong there,” This is the hidden content, please Sign In or Sign Up earlier this year. The second of the two ****** out performances in London’s West End will take place in September. Harrington said “the energy on stage and in the audience” during the first one “was unlike anything I’ve ever experienced”. “And I do believe with this play and what it’s saying, that having a place where a certain group of people can come and feel open to laughing in a certain way, reacting in a certain way, in sort of safety, for two nights of the entire run, is a great thing.” His co-star Olivia Washington said: “To see ****** and brown people in a 900-seat theatre, I’ve never experienced that, as an audience member I’d never experienced that. “So it was very special for me to experience in doing this play, because as you [Kuenssberg] said, it is difficult, it’s difficult subject matter, it can get hard for people to hear. “However, to feel supported by this room in a different kind of way felt just – it felt really great.” ****** Play’s producers told BBC News in February that the “intent is to celebrate the play with the widest possible audience”, adding: “To be absolutely clear, no-one will be prevented or precluded from attending any performance of ****** Play.” ‘Needling theatre’ The show’s West End transfer has received generally positive reviews from critics. This is the hidden content, please Sign In or Sign Up as “charismatic, needling theatre” while This is the hidden content, please Sign In or Sign Up it was “bold and scabrously witty” – with both critics awarding four stars. This is the hidden content, please Sign In or Sign Up saying the show was “the sort of ideas-led piece that would stimulate over an hour but has instead unwisely swollen to two hours”. His colleague Clive Davis, who attended the first ****** out night, This is the hidden content, please Sign In or Sign Up “Did the composition of the audience affect the way the dialogue was received? I think so,” he wrote, adding that the audience’s laughter and commentary suggested they were particularly engaged. Reflecting on the ****** out nights, he continued: “I still have my doubts… I still think better marketing is the more creative way to bring in new audiences.” However, This is the hidden content, please Sign In or Sign Up on the night applauded the scheme. One said it was “just about giving more people an opportunity to experience” theatre, while another said it was “not an exclusion thing, it’s just we don’t get the same opportunities” as white people. This is the hidden content, please Sign In or Sign Up #Kit #Harrington #defends #theatres #****** #nights This is the hidden content, please Sign In or Sign Up This is the hidden content, please Sign In or Sign Up 0 Quote Link to comment https://hopzone.eu/forums/topic/79046-kit-harrington-defends-theatre%E2%80%99s-%E2%80%98black-out%E2%80%99-nights/ Share on other sites More sharing options...
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