‘There’s Still Tomorrow’ Review: An Updated Italian Heroine

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‘There’s Still Tomorrow’ Review: An Updated Italian Heroine

“There’s Still Tomorrow” is set in Rome after World War II, but it unfolds with timeless verve and romanticism. It’s the directorial debut of the Italian singer and comedian Paola Cortellesi, who also stars. This feminist dramedy tells a story about domestic abuse — echoing still-timely concerns about violence against women and toxic masculinity in Italy — in captivating, unexpected ways.

Shot in silky ******-and-white and paying homage to the stylized working-class films of Federico Fellini, “There’s Still Tomorrow” follows Delia (Cortellesi), a doting mother of three who is regularly beaten and surveilled by her husband Ivano (Valerio Mastandrea). The cash she gets from her various odd jobs goes straight into Ivano’s pocket, and should she drop a dish, leave the house without asking, or accept favors from the American soldiers stationed around town, there’s hell to pay.

The film never shows the batterings directly. In one scene, it’s choreographed with the drama of a tango, and in most others, we take the perspectives of Delia’s children or the group of gossiping housewives perpetually stationed in the courtyard.

Cortellesi, as both director and performer, doesn’t sink into miserabilism. The beautifully built-out sense of place, populated by memorable personalities (Ivano’s bedridden father; Delia’s best friend, who runs a vegetable stand; the mechanic with whom Delia is in love), demonstrates the richness of Delia’s life in an effortless balance of humor and tragedy. Bursts of slick contemporary pop music give an edge to her plight.

Crucially, the plot revolves around the future of Delia’s teenage daughter Marcella (Romana Maggiora Vergano), who dreams of getting married to her wealthy boyfriend and leading a life unlike her mother’s. Delia, whom Cortellesi plays with weathered charm, strives to save Marcella — and ultimately herself. This struggle is carried out with larger-than-life dramatics and touches of fantasy that make the film, for all its grim, real-life parallels, something of an escapist pleasure.

There’s Still Tomorrow
Not rated. In Italian, with subtitles. Running time: 1 hour 58 minutes. In theaters.

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